Autobiography held by Russell’s daughter, Rosemary Bowman and her son
Extract from Russell Atkinson’s autobiography “Fly on the Wall” or “Sixty Years a Journalist” (page 344)
“While I was still living in Adelaide Madge Terry (Nellie’s daughter) had written to me suggesting that I write the story of her mother, Mrs. C. A. Payne, who had dedicated her life to the art of woodcarving. As a boy in Hobart I had been on close friendly terms with the Payne family, which consisted of Dr. Charles Payne, his wife, and their three children – Geoffrey, Alan and Madge. Though we went to different schools and had widely differing interests, Alan and I were much of an age and were close friends until, after Alan had won a Rhodes Scholarship, the First World War separated us. Many a pleasant hour I spent with the family, and Mrs. Payne was always very good to me, and, though quite ignorant of the fine points of woodcarving, I always felt that her work in that medium was something out of the ordinary.
Madge well knew that her mother’s work was outstanding, and encouraged her in every way she could. Mrs Payne’s skill and artistry were recognised in England and elsewhere, but, owing to a variety of circumstances, including the Great War, she had never received the public recognition which Madge, and many others, felt that she deserved. Madge felt, quite rightly, that a biographical work which told her mother’s personal story and threw some light upon her artistic achievements, should be written and published. Mrs. Payne herself had died in 1962, in her 98th year.
I had always been fond of Mrs. Payne, and had invariably called on her when visiting Hobart. That influenced Madge in her choice of me as her mother’s biographer. It was a task that I enjoyed. Madge provided me with basic notes and a voluminous scrap-book which her mother had kept for most of her life; and those two things gave me a solid basis for the book that I wrote and called Ellen Nora Payne, Woodcarver of Tasmania.
It was printed by Foot & Playsted of Launceston, published in 1975, and launched at a gathering of thirty or forty people at Westbury, Mrs. Payne’s birthplace.
The spot chosen for the ceremony was on Westbury’s Village Green just outside St. Andrew’s Church, which is almost entirely furnished with Mrs. Payne’s carvings. The Warden of Westbury, Mr. Bob Ingamells, presided at the ceremony, and several people made appreciative speeches. Madge, who had married late in life and was now Mrs. Gadesden Terry, made the best speech of all.
So it is sad to have to relate that only a little more than a year later Madge herself died, but I have always had the feeling that in her last few days she was happier and more content than she would have been had her mother’s biography not been written, published, and warmly received by a wide circle of readers, for to see her mother’s work fully recognised and appreciated had been her life’s ambition.
At a largely attended memorial service for Madge, in St. David’s Cathedral, Hobart on July 6th 1978, the Bishop of Tasmania, the Right Rev. R. E. Davies, made several allusions in his address to my book which he called ”this fascinating story of that remarkable woman, Ellen Nora Payne”. Madge’s life, in its own quiet way, he said, was almost as remarkable as her mother’s.”
Later in his autobiography Russell Atkinson says
“Now, as I look backward along the eighty odd years of my life and remember the many friends who stood by me and encouraged me and showed me the way, I like to think of them rather as beacons marking the way through the twisting, shoal-ridden channel of life, helping one past the rocks and the cross-currents and offering a welcome gleam as the mists closed in. ……………. There were the Paynes, headed, in my thoughts by Mrs. Ellen Nora Payne, the woodcarver. Alan, her youngest, was a close friend of mine though he was a brilliant scholar and miles above me in ability of every kind; while Madge, the elder sister, and Geoffrey, the elder brother, and the doctor, kindly but aloof and barely tolerant of the sprightly young, all combined to make up a family of excellent friends.”
Russell Owen Atkinson grew up at “Hamlyn” 29 Stoke Street, New town, Tasmania which currently operates as Meriam Bed and Breakfast. The house was built by Thomas Reibey Atkinson between 1896 and 1898.
Thomas Reibey Atkinson was the grandson of Mary Reibey whose picture appears on the Australian $20 note. Mary (1777-1855) was born in Lancashire, later arrested for horse stealing and sent to Australia to serve a seven year sentence, arriving in Australia in 1792. Following her release she married Thomas Reibey who became a successful shipping magnate and philanthropist. Mary was recognized as one of the most successful business woman in Australia. Entally House at Carrick was built in 1819 by Thomas Haydock Reibey, the eldest son of Mary and Thomas Reibey of Sydney.